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101x2 New well known faux booklet (202 New well known Songs blend kind) - For All well known tools (C-book)

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Extra resources for 101x2 New Popular Fake Book. 202 New Popular Songs Combo Style - For All Popular Instruments (C-book)

Example text

Pollini made the work a symphony of tempos, sometimes so that one felt the speed and movement to be primary, the actual notes almost an arbitrary in-fill to support a musical energy that had its own existence. Equally remarkable was the stone-dead coldness of episodes where the tempo is slow and unchanging, notably the beginning of the second movement and the very end of the work, both echoing the closing bars of the Webern. In the Beethoven Pollini was in more typical form, especially in the acute force of his high trills (often with the effort towards them expressed in a lunging groan), the solid bass lines, the absolutely clear counterpoint, and the astonishing high speeds, right to the point of danger in the first presto variation.

When Mozart’s music picks up again, for the concluding chorus, the Europeans look as if they might have made a poor choice in turning their backs on Selim’s world. The dramatic realization of that world is full of life. Francine Gaspar’s set is a world in itself, opening out to the back (through the arcade of the courtyard in the archbishop’s palace, where performances take place), to the sides, where trellised embrasures can slide up or down to be windows or doorways, and to the underneath, through an elaborate system of traps.

25). 25 were intense, granitic. The latter work brought roaring applause that took fully five minutes to dwindle as realization dawned that Richter so suddenly, without giving an encore, was gone. (Times, 30 March 1989) Maurizio Pollini The formidable programme was characteristic—two Himalayan peaks of the piano literature, Boulez’s Second Sonata and Beethoven’s Diabelli Variations, with the Alp of Webern’s Variations as a warmup—but Pollini was unusually gentle in the first half of this Festival Hall programme, which gave his Boulez performance, in particular, a fascinating new light and clarity.

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